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The garment: A pink silk party dress with orange waistband sash that has fabric covered plastic stones attached on the front.
The care label reads, “Dry Clean Only”. There are no international cleanability symbols.
The problem: After drycleaning in perchlorethylene solvent the plastic trim hidden under the fabric covering partially dissolved resulting in an objectionable appearance to the trim, as well as selfstaining of the nearby dress fabric. The plastic used to make this decorative design dissolves during drycleaning.
Who’s responsible? The manufacturer, since all components on a garment must be able to withstand the recommended professional cleaning process, as labeled.
What to do: This dress should be returned to the place of purchase or manufacturer

The hair is often described as one’s crowning glory. Ask anyone and they aresure to agree . . . if your hair looks good, you automatically feel good! Someappearance experts go so far as to say that the hair is the single most importantfactor in looking neat and well put-together. Hard-to-handle hair is thenumber one beauty complaint of women!

• Healthy hair is reflective of healthy life style habits and overall good
health. Eat a well-balanced diet, drink plenty of water, exercise regularly, and get sufficient
rest/sleep. Medications and health conditions can and do influence hair condition.
• Hair changes as the body changes. Hair growth, hair loss, and replacement are natural, normal
processes throughout the life cycle. As the body ages, growth and replacement are slowed, which
may give individuals the impression they are balding. Balding is a hereditary condition but can also
be linked to general body health (recent surgery, diet, medications, chemotherapy, hormones, stress).
• Keep hair clean and shiny! Shampoos do matter, as some are harsher than others; select them
carefully. Hair and scalp may not need to be washed as often as the body ages/matures, but do not
neglect it. How often you wash your hair depends on the type of hair, the weather, your physical
activity, and perhaps even your occupation.

The future of warfare has changed dramatically. Senior Army leaders are no longer merely required to be expert warfighters; they now need to be “pentathletes”—world-class warriors who are competent in statesmanship, enterprise management, and governance, as well as being strategic and creative thinkers. Warfighting always will remain the primary focus of Army leaders, but the broadening requirements involved in the future application of military force will necessitate broader perspectives and thinking.
The shift to developing pentathletes gradually has become evident in Army training and schools, but the change has not permeated the officer assignment process. Despite the examples of current pentathletes such as Generals Abizaid, Petraeus, or Chiarelli—who added additional skills to their warfighting with assignments at graduate school, language study, or studying abroad—the evidence shows that up-and-coming senior leaders are increasingly choosing to restrict their career paths to assignments that stick closely to traditional warfighting skills.
For example, a comparison of past and present career paths of general officers reflects the growing avoidance of any assignment away from Army units or staff. In 1995, 11 out of the 36 newly selected brigadier generals had attended full time graduate school earlier in their careers. Their perspectives were broadened in diverse institutions such as Duke, University of Virginia, and University of Wisconsin as these future general officers were exposed to different ways of thinking and problem solving. A decade later, the situation has changed drastically. By 2005, the number of newly selected brigadier generals who had taken time out of their careers for full time graduate study had dropped to just 3 out of 38.

Why would so many field grade officers dress so much alike, even if what they are wearing is out of step with the latest fashions? Actually, there are some very logical reasons. First, the clothes they’ve been wearing for the last decade have served them perfectly well, so there is no need to add anything new. Their clothes are still in good condition; they are still functional. Why would they need anything else?
Second, field grade officers are at a stage in life where the Army begins to occupy most of their conscious thoughts. With 14-hour work days spent in Army Combat Uniforms, there’s little time—or perceived need—to notice trends in the outside world. The last thing field grade officers have time to do is shop for new and different articles of clothing. The end result is that by the time officers reach the senior ranks, they gradually have narrowed their wardrobes to a few well-worn, but familiar items.

But this essay is not really about fashion—one look in my closet would verify that I am woefully unqualified to comment on that topic (although this year I finally replaced my 25-year-old blue blazer after the lining fell out). Instead, this essay addresses the tendency of Army officers to narrow, not their wardrobe as they progress in rank, but their opportunities to broaden their horizons and gain new perspectives.

From my perch here in the ivory fortress of the U.S. Army War College, I am tasked to look across the Army, take notice of strategic trends in the human dimension of war, and then ponder their implications for the military. Recently, I have felt compelled to address a strategic trend noticed by most everyone in the Army, yet seldom discussed in open company. Although I have yet to get my hands on the actual statistics to prove it, I believe that right about the time an officer attains the rank of major, his choice of clothing begins to narrow down to two or three items. As a result, he begins to stand out in a crowd because his civilian wardrobe is about 7 or 8 years out of date. (I focus on males because they (we) have greater need for correction.)?

Lieutenants and captains, who tend to be rather chic when it comes to sartorial trends, are unusually adept at noticing the indicators of this phenomenon—a lapel is too wide, a collar is too pointed, or a pair of pants just looks oh-so-1990. Interestingly, field grade officers as a group generally are oblivious to the realization that their wardrobes have reached obsolescence. They continue to wear the same clothes year after year with little regard for the change that occurs outside the Army. This especially is evident here at the U.S. Army War College where class after class of colonels and lieutenant colonels arrive attired in the ubiquitous blue blazer and khaki pants (although daring students occasionally will add a pair of off-white slacks as a sign of youth and individuality)

Their trying to get back together was tackled less facetiously byPlato when he related our psycho-biological natures to beauty by notingthat women seek a masculine beauty they lack by sexually attracting and coupling with men. And men seek a feminine beauty they lack by mating with women. For ?Love is always the love of something, and that something is what it lacks?.7 And what it lacks ultimately is Beauty per se.
So men and women on this account do not desire merely a transient superficiality of sex but the aesthetic fullness of Beauty itself. This quest for Beauty evoking St. Augustine?s aide-mémoire, that men embracing their wives or prostitutes because of their beauty should consider the beauty of
God Himself,8 does not mean Plato either disparaged sex or women?s limited beauty. For one thing, he did not deny the fêted beauty and philosophical acumen of the female artiste named Aspasia. His point is that Beauty itself must be: It must be a fully real Being, a really real Form of Beauty that is not material. For all material things are less than perfect and change. And to say that changing things are real is to be able to say what they are. But since they are continually changing they would already not be what they were just said to be. Consequently, there must be an unchanging, immaterial, universal and perfectly ideal Form of Beauty that, unlike only partly real physical things, permits their true aesthetic comparisons.
Diana?s remark, reference toforeign models, and extensive medicalquandaries suggest an interculturalrecognition of the apparent effects oferogenous fashion. But this fashion?salleged patriarchal effects, besides beinga red herring irrelevant to the argumentsherein that advance psycho-biologicallyrooted fashion, are not necessaryconsequences of the fashion and indicateits predominance, if not its beinggrounded more exactly in women?ssexual nature. This nature is underscored,precisely for example, by highheels that have been a perennial fetishitem, in Eastern as well as Westerncultures, and that highlight sensualappearances of leg-muscle tone. How inprinciple can concern for this tone andother anatomical features be unrelated toeither a mutual attraction of the sexes orsex-related morphological differences?Bearing on these differences in terms offoot fetishes is Plato?s humor, illustratedby a story that creatively extends his ideaof love being of the good by drawingour nature back to its originalwholeness.6 That is, physical love is adesire for our once beautiful wholewhen the two sexes were one, tumblingharmoniously. So it is that men and women were initially coupled bywomen?s feet joined to men?s heads forming a wheel. They rolled alonghappily until they hit a bump and broke apart, and have been trying to getback together again ever since!
A feminine nature conflicts with a constructionist view of fashion.Fashions that are not gender neutral are said by many constructionists tobe associated with unhealthy behaviors to attract men: underarm shavingthat, coupled to carcinogenic deodorants, causes breast cancer; leg shavingthat, in tandem with tanning, can lead to precancerous actinic keratoses3;post-surgical problems of implants to increase breast size; botox injections,paralyzing facial muscles, to reduce wrinkles; caesarian surgery to avoidtearing genitalia in child birth for cosmetic concerns of ordinary women aswell as models;4 using makeup with toxic parabens and suntan lotions withmelanoma-inducing oxybenzone to replace unsightly white colors in saferzinc-oxide lotions; anorexia that, induced by the fashion industry, canresult in death such as the deaths of models Ana Reston of São Paolo orUruguay?s Luisel Ramos in 2006; and wearing stiletto sheels that injurebackbones and feet, exacerbated by foot surgery for accommodating theheels, called ?tart trotters? by the late Princess Diana
Daphne Patai and NorettaKoertge articulate an archetypal anddominant relativistic social constructionismthat is held by genderfeminists who, by rejecting any majorbiological differences of men andwomen, reject as well many of ourculture?s long-established notions.These notions range from ?family? to?gender?. And given that gender is amere social construct wherein truthclaimsabout what is proper to womenmay be both true and false inter aliaeither in the same culture at differenttimes or at the same time indifferentcultures, there is the foregoneconclusion that fashions suitable towomen and not to men is bogus. Toinfer the bogusness is to accept anideological denial of biology; that is, to accept what they call a biodenial.

The biodenial has resulted in fashions favored for women that neutralize gender differences. The differences range from pants to short male-like haircuts (although some of the haircuts still seem feminine and charming in a traditional sense ? the woman?s defiant intention being critical to feminists) that became au courant in the 1970s with an escalation of the women?s liberation movement. A central question is whether this movement, mostly evolving in academia into gender feminism, either can
prolong or ever did generally sustain in toto a genderless style. If the answers to the question are negative, then further questions ensue of whether the styles were not sustained because of whimsical changes or natural desires of women to appear distinctively feminine.

Several caveats are in order before examining women?s fashion. First, this essay requires a frank analysis of sex in terms of fashion. Second, while the title may seem to commit a false dichotomy by ignoring other fashion influences, from social revolution to religion, some influences are noted precisely by way of sex and social construction. Third, a disregard of male fashion stems from seeking to make this essay succinct and an assumption ceteris paribus, without either being sexist or begging the question about asexual basis of fashion, that women more than men have historically highlighted their bodies by stylistic trends. So the trends, it may reasonably be supposed, can illustrate the provoking themes of sex versus social construction in the Greek and contemporary eras. The eras of the twentieth and twenty-first centuries, from classical Christian Dior gowns to avant-garde fashions shown artistically by Model Mayhemor Ellen Von Unwerth, especially clarify the themes. The themes are considered by noting first what is meant by fashion being a function of sex or social construction.
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